Voigtländer Color Skopar 20mm f/3.5 SL II Asph photography at Lake Coleridge. While I am genuinely impressed by this lens, some of the images have darker shadows in Aperture mode, compared to Nikon G series. It’s a give and take, since Nikon can overexpose where Voigtländer gets it right. If I have to choose, underexposed photos are easy to correct when the overexposed ones are not. This is still my favorite wide lens.
Unedited, SOOC image samples on Nikon D850:
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6804-2-1024x683.jpg)
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6807-1024x683.jpg)
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6823-1024x683.jpg)
![NIKON D850 f/11 1/200sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6815-1024x683.jpg)
![NIKON D850 f/11 1/500sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6717-1024x683.jpg)
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6713-1024x683.jpg)
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6705-1024x683.jpg)
![NIKON D850 f/11 1/160sec ISO-64 20mm](https://teodorablog.com/wp-content/uploads/2023/06/DSC6722-1024x683.jpg)
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